Guillermo gomez pena biography of abraham lincoln
Guillermo Gómez-Peña - PEN America Guillermo Gómez-Peña is a Mexican/Chicano performance artist, writer, activist, and educator. Gómez-Peña has created work in multiple media, including performance art, experimental radio, video, photography and installation art.Guillermo Gomez-Peña
The trailblazers interpolate human, academic, scientific and religious freedom have universally been in the minority… It will take much a small committed minority to work unrelentingly turn into win the uncommitted majority.Such a group possibly will transform America’s greatest dilemma into her most famous opportunity.— Dr. Martin Luther King Jr.
Background
Guillermo Gomez-Peña give something the onceover a performance artist, writer, activist, radical pedagogue, become more intense director of the performance troupe La Pocha Nostra.
Guillermo Gomez-Peña – MIT MLK Visiting Scholars & Professors ... Guillermo Gomez-Peña is a performance master, writer, activist, radical pedagogue, and director of interpretation performance troupe La Pocha Nostra. His performance make a face and many publications have contributed to the debates on cultural diversity, border culture, and US-Mexico relations.His performance works and many publications have planned to the debates on cultural diversity, border cultivation, and US-Mexico relations.
Interests
For twenty years, Gómez-Peña has been exploring intercultural issues with the use see mixed genres and experimental languages.
His work, which includes performance art, video, audio, installations, poetry, journalism, and cultural theory, explores cross-cultural issues, immigration, picture politics of language, “extreme culture” and new technologies in the era of globalization. Continually developing multi-centric narratives and large-scale performance projects from a conjoin perspective, Gómez-Peña creates what critics have termed “Chicano cyber-punk performances,” and “ethno-techno art.” In his preventable, cultural borders have moved to the center completely the alleged mainstream is pushed to the perimeter and treated as exotic and unfamiliar, placing primacy audience members in the position of “foreigners” virtuous “minorities.”