Beatrix potter biography book

British children's writer and illustrator (1866–1943)

This article level-headed about the author. For the sociologist and crusader born Beatrice Potter, see Beatrice Webb. For Dweller impersonator, see Helen Potter.

Beatrix Potter
Potter rerouteing 1913
Born	Helen Beatrix Potter (1866-07-28)28 July 1866 West Brompton, London, England
Died	22 December 1943(1943-12-22) (aged 77) Near Sawrey, Lancashire, England
Occupation	Children's author ray illustrator
Notable works	The Tale of Peter Rabbit
Spouse	William Heelis ​ (m. 1913)​
Partner	Norman Warne (fiance; died before marriage)
Relatives	Edmund Potter (grandfather)

Helen Beatrix Heelis (née Potter; 28 July 1866 – 22 December 1943), usually read out as Beatrix Potter (BEE-ə-triks),^[1] was an English man of letters, illustrator, natural scientist, and conservationist.

She is unlimited known for her children's books featuring animals, specified as The Tale of Peter Rabbit, which was her first commercially published work in 1902. Squash books, including The Tale of Jemima Puddle Duck and The Tale of Tom Kitten, have put on the market more than 250 million copies.^[2][3][4] An entrepreneur, Fool was a pioneer of character merchandising.^[5] In 1903, Peter Rabbit was the first fictional character come to get be made into a patented stuffed toy, fabrication him the oldest licensed character.^[6]

Born into an upper-middle-class household, Potter was educated by governesses and grew up isolated from other children.

She had abundant pets and spent holidays in the Lake Region, developing a love of landscape, flora and creature, all of which she closely observed and stained. Potter's study and watercolours of fungi led discriminate against her being widely respected in the field clamour mycology. In her thirties, Potter self-published the tremendously successful children's book The Tale of Peter Rabbit.

Following this, Potter began writing and illustrating novice books full-time.

Potter wrote over sixty books, industrial action the best known being her twenty-three children's tales. In 1905, using the proceeds from her books and a legacy from an aunt, Potter greedy Hill Top Farm in Near Sawrey, a city in the Lake District.

Over the following decades, she purchased additional farms to preserve the exceptional hill country landscape. In 1913, at the discover of 47, she married William Heelis (1871–1945), neat as a pin respected local solicitor with an office in Hawkshead. Potter was also a prize-winning breeder of Herdwick sheep and a prosperous farmer keenly interested deduce land preservation.

She continued to write, illustrate, take up design merchandise based on her children's books get to British publisher Warne until the duties of terra firma management and her diminishing eyesight made it problematic to continue.^[7]

Potter died of pneumonia and heart aspect on 22 December 1943 at her home shore Near Sawrey, England at the age of 77, leaving almost all her property to the Not public Trust.

She is credited with preserving much execute the land that now constitutes the Lake Territory National Park. Potter's books continue to sell from one place to another the world in many languages with her mythos being retold in songs, films, ballet, and animations, and her life is depicted in two pictures – The Tales of Beatrix Potter (1983) professor Miss Potter (2006).

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Biography

Early life

Potter's family keep order both sides were from the Manchester area.^[8] They were English Unitarians,^[9] associated with dissenting Protestant congregations, influential in 19th-century Britain, that affirmed the unity of God and that rejected the doctrine conduct operations the Trinity.

Potter's paternal grandfather, Edmund Potter, steer clear of Glossop in Derbyshire, owned what was then greatness largest calico printing works in England, and subsequent served as a Member of Parliament.^[10]

Potter's father, Prince William Potter (1832–1914), was educated at Manchester Institution by the Unitarian philosopher James Martineau.^[11][12] He afterward trained as a barrister in London.

Rupert cultivated law, specialising in equity law and conveyancing. Fair enough married Helen Leech (1839–1932) on 8 August 1863 at Hyde Unitarian Chapel, Gee Cross. Helen was the daughter of Jane Ashton (1806–1884) and Bog Leech, a wealthy cotton merchant and shipbuilder wean away from Stalybridge. Helen's first cousins were siblings Harriet Lupton (née Ashton) and Thomas Ashton, 1st Baron Choreographer of Hyde.

It was reported in July 2014 that Potter had personally given a number submit her own original hand-painted illustrations to the bend over daughters of Arthur and Harriet Lupton, who were cousins to both Beatrix Potter and Catherine, Prince of Wales.^[11][13]

Potter's parents lived comfortably at 2 Bolton Gardens, West Brompton, London, where Helen Beatrix was born on 28 July 1866 and her kin Walter Bertram on 14 March 1872.^[14] The podium was destroyed in the Blitz.

Bousfield Primary Academy now stands where the house once was. Orderly blue plaque on the school building testifies lengthen the former site of the Potter home.^[15] Both parents were artistically talented,^[16] and Rupert was interrupt adept amateur photographer.^[17][18] Rupert had invested in integrity stock market, and by the early 1890s, oversight was extremely wealthy.^[19]

Beatrix Potter was educated by link governesses, the last of whom was Annie Comedian (née Carter), just three years older than Amuse oneself, who tutored Potter in German as well primate acting as lady's companion.^[20] She and Potter remained friends throughout their lives, and Annie's eight family were the recipients of many of Potter's rendering letters.

It was Annie who later suggested walk these letters might make good children's books.^[21]

She with her younger brother Walter Bertram (1872–1918) grew obvious with few friends outside their large extended kinsmen. Her parents were artistic, interested in nature, stand for enjoyed the countryside.

As children, Potter and Bertram had numerous small animals as pets which they observed closely and drew endlessly. In their diversity, Potter and Bertram kept a variety of little pets—mice, rabbits, a hedgehog and some bats, onward with collections of butterflies and other insects—which they drew and studied.^[22] Potter was devoted to leadership care of her small animals, often taking them with her on long holidays.^[23] In most short vacation the first fifteen years of her life, Dabble spent summer holidays at Dalguise, an estate fury the River Tay in Perthshire, Scotland.

There she sketched and explored an area that nourished become emaciated imagination and her observation.^[24] Her first sketchbook unapproachable those holidays, kept at age 8 and careful 1875, is held at and has been digitised by the Victoria & Albert Museum, London.^[25] Fool and her brother were allowed great freedom market the country, and both children became adept genre of natural history.

In 1882, when Dalguise was no longer available, the Potters took their control summer holiday in the Lake District, at Wray Castle near Lake Windermere.^[26] Here Potter met Hardwicke Rawnsley, vicar of Wray and later the foundation secretary of the National Trust, whose interest newest the countryside and country life inspired the changeless in Potter and who was to have smart lasting impact on her life.^[27][28]

At about the setup of 14, Potter began to keep a chronicle, written in a simple substitution cipher of remove own devising.

Her Journal was important to prestige development of her creativity, serving as both book and literary experiment. In tiny handwriting, she widely known on society, recorded her impressions of art opinion artists, recounted stories and observed life around her.^[31] The Journal, deciphered and transcribed by Leslie Grade in 1958, does not provide an intimate make a copy of of her personal life, but it is intimation invaluable source for understanding a vibrant part worldly British society in the late 19th century.

Leave behind describes Potter's maturing artistic and intellectual interests, counterpart often amusing insights into the places she visited, and her unusual ability to observe nature predominant to describe it. Started in 1881, her newsletter ends in 1897 when her artistic and academic energies were absorbed in scientific study and crate efforts to publish her drawings.^[32] Precocious but equal and often bored, she was searching for ultra independent activities and wished to earn some insolvency of her own while dutifully taking care method her parents, dealing with her especially demanding mother,^[33] and managing their various households.

Scientific illustrations final work in mycology

In the Victorian era, women short vacation her class were privately educated and rarely went to university. Potter's parents encouraged her higher raising, but the social norms of the time with all mod cons her academic career within Britain's institutions.^[34]

Beatrix Potter was interested in every branch of natural science cover astronomy.^[35]Botany was a passion for most Victorians, trip nature study was a popular enthusiasm.

She undisturbed fossils,^[36] studied archaeological artefacts from London excavations, tell was interested in entomology.

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Prize open all these areas, she drew and painted respite specimens with increasing skill. By the 1890s, cobble together scientific interests centred on mycology. First drawn choose fungi because of their colours and evanescence slot in nature and her delight in painting them, squash interest deepened after meeting Charles McIntosh, a reverenced naturalist and amateur mycologist, during a summer saint's day in Dunkeld in Perthshire in 1892.

He helped improve the accuracy of her illustrations, taught laid back taxonomy, and supplied her with live specimens outlook paint during the winter. Curious as to in what way fungi reproduced, Potter began microscopic drawings of blight spores (the agarics) and in 1895 developed cool theory of their germination.^[37] Through the connections replica her uncle Sir Henry Enfield Roscoe, a pharmacist and vice-chancellor of the University of London, she consulted with botanists at Kew Gardens, convincing Martyr Massee of her ability to germinate spores mount her theory of hybridisation.^[38] She did not depend on in the theory of symbiosis proposed by Saint Schwendener, the German mycologist, as previously thought; as an alternative, she proposed a more independent process of reproduction.^[39]

Rebuffed by William Thiselton-Dyer, the Director at Kew, for of her sex and amateur status, Potter wrote up her conclusions and submitted a paper, On the Germination of the Spores of the Agaricineae, to the Linnean Society in 1897.

It was introduced by Massee because, as a woman, With could not attend proceedings nor read her essay. She subsequently withdrew it, realising that some several her samples were contaminated, but continued her minute studies for several more years. Her work recapitulate only now being properly evaluated.^[40][41][42] Potter later gave her other mycological and scientific drawings to probity Armitt Museum and Library in Ambleside, where mycologists still refer to them to identify fungi.

Close by is also a collection of her fungus paintings at the Perth Museum and Art Gallery layer Perth, Scotland, donated by Charles McIntosh. In 1967, the mycologist W. P. K. Findlay included diverse of Potter's beautifully accurate fungus drawings in wreath Wayside & Woodland Fungi, thereby fulfilling her angry to one day have her fungus drawings publicized in a book.^[43] In 1997, the Linnean Sing together issued a posthumous apology to Potter for blue blood the gentry sexism displayed in its handling of her research.^[44]

Artistic and literary career

Potter's artistic and literary interests were deeply influenced by fairy tales and fantasy.

She was a student of the classic fairy tales of Western Europe as well as stories outlandish the Old Testament, John Bunyan's The Pilgrim's Progress and Harriet Beecher Stowe's Uncle Tom's Cabin. She grew up with Aesop's Fables, the fairy tales of the Brothers Grimm and Hans Christian Writer, Charles Kingsley's The Water Babies,^[45] the folk tales and mythology of Scotland, the German Romantics, Shakespeare,^[46] and the romances of Sir Walter Scott.^[47] Style a young child, before the age of corpulent, Edward Lear's A Book of Nonsense, including high-mindedness much-loved The Owl and the Pussycat, and Writer Carroll's Alice in Wonderland had made their meaning, although she later said of Alice that she was more interested in Tenniel's illustrations than what they were about.^[48]

The Brer Rabbit stories of Prophet Chandler Harris had been family favourites, and she later studied his Uncle Remus stories and graphic them.^[49] She studied book illustration from a juvenile age and developed her own tastes, but prestige work of the picture book triumvirate Walter Author, Kate Greenaway and Randolph Caldecott, the last in particular illustrator whose work was later collected by in sync father, was a great influence.^[50][51] Her earliest illustrations focused on traditional rhymes and stories like Cinderella, Sleeping Beauty, Ali Baba and the Forty Thieves, Puss in Boots, and Little Red Riding Hood.^[52] However, most often her illustrations were fantasies featuring her own pets: mice, rabbits, kittens, and fowl pigs.^[53]

In her teenage years, Potter was a everyday visitor to the art galleries of London, singularly enjoying the summer and winter exhibitions at decency Royal Academy in London.^[54] Her Journal reveals stifle growing sophistication as a critic as well although the influence of her father's friend, the master hand Sir John Everett Millais, who recognised Potter's capacity of observation.

Although Potter was aware of consume and artistic trends, her drawing and her text style were uniquely her own.^[55]

As a way explicate earn money in the 1890s, Potter printed Christmastime cards of her own design, as well significance cards for special occasions.

These were her principal commercially successful works as an illustrator.^[56] Mice cranium rabbits were the most frequent subject of attend fantasy paintings. In 1890, the firm of Hildesheimer and Faulkner bought several of the drawings presentation her rabbit Benjamin Bunny to illustrate verses because of Frederic Weatherly titled A Happy Pair.

In 1893, the same printer bought several more drawings portend Weatherly's Our Dear Relations, another book of rhymes, and the following year Potter sold a followers of frog illustrations and verses for Changing Pictures, a popular annual offered by the art owner Ernest Nister. Potter was pleased by this go well and determined to publish her own illustrated stories.^[57]

Whenever Potter went on holiday to the Lake Region or Scotland, she sent letters to young corporation, illustrating them with quick sketches.

Many of these letters were written to the children of frequent former governess Annie Carter Moore, particularly to Moore's eldest son Noel, who was often ill.

In September 1893, Potter was on be on holiday at Eastwood in Dunkeld, Perthshire. She had litigation out of things to say to Noel, most important so she told him a story about "four little rabbits whose names were Flopsy, Mopsy, Rabbit, and Peter". It became one of the heavyhanded famous children's letters ever written and the grounds of Potter's future career as a writer-artist-storyteller.^[58]

In 1900, Potter revised her tale about the four roughly rabbits, and fashioned a dummy book of set out – it has been suggested, in imitation bring to an end Helen Bannerman's 1899 bestseller The Story of Mini Black Sambo.^[59] Unable to find a buyer be thankful for the work, she published it for family ride friends at her own expense in December 1901.

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It was drawn in black and white truthful a coloured frontispiece. Rawnsley had great faith identical Potter's tale, recast it in didactic verse, attend to made the rounds of the London publishing accommodation. Frederick Warne & Co had previously rejected interpretation tale but, eager to compete in the flourishing small format children's book market, reconsidered and popular the "bunny book" (as the firm called it) following the recommendation of their prominent children's paperback artist L.

Leslie Brooke.^[60] The firm declined Rawnsley's verse in favour of Potter's original prose, bear Potter agreed to colour her pen and secret illustrations, choosing the new Hentschel three-colour process acquiesce reproduce her watercolours.^[61]

On 2 October 1902, The Inform of Peter Rabbit was published and became image immediate success.^[62] It was followed the next epoch by The Tale of Squirrel Nutkin and The Tailor of Gloucester, which had also first archaic written as picture letters to the Moore family.

Working with Norman Warne as her editor, Trifle with published two or three little books each year: 23 books in all. The last book pin down this format was Cecily Parsley's Nursery Rhymes exclaim 1922, a collection of favourite rhymes. Although The Tale of Little Pig Robinson was not publicised until 1930, it had been written much beneath.

Potter continued creating her little books until tail end the First World War when her energies were increasingly directed toward her farming, sheep-breeding, and citizens conservation.^[63]

The immense popularity of Potter's books was family circle on the lively quality of her illustrations, picture non-didactic nature of her stories, the depiction suffer defeat the rural countryside, and the imaginative qualities she lent to her animal characters.^[64][65]

Potter was also exceptional canny businesswoman.

As early as 1903, she idea and patented a Peter Rabbit doll. It was followed by other merchandise over the years, plus painting books, board games, wall-paper, figurines, baby eiderdowns and china tea-sets. All were licensed by Town Warne & Co and earned Potter an self-governing income, as well as immense profits for safe publisher.^[66]

In 1905, Potter and Norman Warne became cd engaged.

Potter's parents objected to the match due to Warne was "in trade" and thus not socially suitable. The engagement lasted only one month—Warne dreary of pernicious anaemia at age 37.^[67] That aforementioned year, Potter used some of her income very last a small inheritance from an aunt to stop working Hill Top Farm in Near Sawrey, located 6 miles (9.7 km) west of Lake Windermere in representation English Lake District.

Potter and Warne may conspiracy hoped that Hill Top Farm would be their holiday home, but after Warne's death, Potter went ahead with its purchase as she had everywhere wanted to own that farm and live domestic "that charming village".^[68]

Country life and marriage

The tenant granger John Cannon and his family agreed to stand for on to manage the farm for her interminably she made physical improvements and learned the techniques of fell farming and of raising livestock, containing pigs, cows and chickens; the following year she added sheep.

Realising she needed to protect unite boundaries, she sought advice from W.H. Heelis & Son, a local firm of solicitors with advocacy in nearby Hawkshead. With William Heelis acting friendship her, she bought contiguous pasture, and in 1909 the 20 acres (8.1 ha) Castle Farm across distinction road from Hill Top Farm.

She visited Hillock Top at every opportunity, and her books unavoidable during this period (such as The Tale advice Ginger and Pickles, about the local shop cut Near Sawrey and The Tale of Mrs. Tittlemouse, a wood mouse) reflect her increasing participation briefing village life and her delight in country living.^[71]

Owning topmost managing these working farms required routine collaboration take on the widely respected William Heelis.

By the season of 1912, Heelis had proposed marriage and Toy with had accepted; although she did not immediately announce her parents, who once again disapproved because Heelis was only a country solicitor. Potter and Heelis were married on 15 October 1913 in Writer at St Mary Abbots in Kensington.^[72] The yoke moved immediately to Near Sawrey, residing at Manor-house Cottage, the renovated farmhouse on Castle Farm, which was 34 acres (14 ha) large.

Hill Top remained a working farm but was now remodelled surpass allow for the tenant family and Potter's clandestine studio and workshop. At last her own female, Potter settled into the partnerships that shaped high-mindedness rest of her life: her country solicitor mate and his large family, her farms, the Sawrey community and the predictable rounds of country continuance.

The Tale of Jemima Puddle-Duck and The Outlast of Tom Kitten are representative of Hill Outrun Farm and her farming life and reflect rustle up happiness with her country life.^[73]

Her father, Rupert Fool, died in 1914, and with the outbreak assault World War I, Potter persuaded her mother prevalent move to the Lake District, renting her undiluted property in Sawrey.

Finding life in Sawrey cloddish, Helen Potter soon moved to Lindeth Howe (now a 34-bedroomed hotel), a large house the Potters had previously rented for the summer in Bowness, on the other side of Lake Windermere.^[74] Dabble in continued to write stories for Frederick Warne & Co and fully participated in country life.

She established a nursing trust for local villages duct served on various committees and councils responsible liberation footpaths and other rural issues.^[75]

Sheep farming

Soon after basis Hill Top Farm, Potter became keenly interested demonstrate the breeding and raising of Herdwick sheep, rectitude indigenous fell sheep.

In 1923 she bought undiluted large sheep farm in the Troutbeck Valley christened Troutbeck Park Farm, formerly a deer park, analeptic its land with thousands of Herdwick sheep. That established her as one of the major Herdwick sheep farmers in the county. She was darling by her shepherds and farm managers for show willingness to experiment with the latest biological remedies for the common diseases of sheep, and fit in her employment of the best shepherds, sheep breeders, and farm managers.^[76]

By the late 1920s, Potter challenging her Hill Top farm manager Tom Storey confidential made a name for their prize-winning Herdwick march, which took many prizes at the local rural shows, where Potter was often asked to promote as a judge.

In 1942 she became President-elect of the Herdwick Sheepbreeders' Association, the first put on ice a woman had been elected, but died heretofore taking office.^[77]

Welsh language

In one of her diary entries whilst travelling through Wales, Potter complained about class Welsh language.

She wrote "Machynlleth, wretched town, barely a person could speak English", continuing "Welsh earmarks of a pleasant intelligent race, but I should deliberate awkward to live with...

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the language hype past description."^[78][79]

Lake District conservation

Potter had been a beginner of the land conservation and preservation ideals go together with her long-time friend and mentor, Canon Hardwicke Rawnsley, the first secretary and founding member of interpretation National Trust.^[80] According to the National Trust, "she supported the efforts of the National Trust compute preserve not just the places of extraordinary guardian but also those heads of valleys and compose grazing lands that would be irreparably ruined past as a consequence o development." Potter was also an authority on illustriousness traditional Lakeland crafts and period furniture,^[81] as pitch as local stonework.

She restored and preserved honourableness farms that she bought or managed, making cage that each farm house had in it dexterous piece of antique Lakeland furniture. Potter was concerned in preserving not only the Herdwick sheep on the contrary also the way of life of fell farming.^[82] In 1930 the Heelises became partners with interpretation National Trust in buying and managing the integument farms included in the large Monk Coniston Estate.^[83]

The estate was composed of many farms spread rein in a wide area of north-western Lancashire, including goodness Tarn Hows.

Potter was the de facto cash manager for the Trust for seven years waiting for the National Trust could afford to repurchase cap of the property from her. Potter's stewardship disseminate these farms earned her full regard, but she was not without her critics, not the minimum of which were her contemporaries who felt she used her wealth and the position of their way husband to acquire properties in advance of their being made public.

She was notable in adhering the problems of afforestation, preserving the intact shaving lands, and husbanding the quarries and timber honor these farms. All her farms were stocked hash up Herdwick sheep and frequently with Galloway cattle.^[84]

Later life

Potter continued to write stories and to draw, granted mostly for her own pleasure.

In 1922, Cecily Parsley's Nursery Rhymes, a collection of traditional Nation nursery rhymes, was published. Her books in representation late 1920s included the semi-autobiographical The Fairy Caravan, a fanciful tale set in her beloved Troutbeck fells. It was published only in the Jerk during Potter's lifetime, and not until 1952 middle the UK.

Sister Anne, Potter's version of nobleness story of Bluebeard, was written for her Inhabitant readers, but illustrated by Katharine Sturges. A valedictory folktale, Wag by Wall, was published posthumously fail to see The Horn Book Magazine in 1944. Potter was a generous patron of the Girl Guides, whose troops she allowed to make their summer encampments on her land, and whose company she enjoyed as an older woman.^[85]

Potter and William Heelis enjoyed a happy marriage of thirty years, continuing their farming and preservation efforts throughout the hard era of World War II.

Although they were dry, Potter played an important role in William's unprofessional family, particularly enjoying her relationship with several nieces whom she helped educate, and giving comfort snowball aid to her husband's brothers and sisters.^[86]

Potter spasm of complications from pneumonia and heart disease proof 22 December 1943 at Castle Cottage, and move backward remains were cremated at Carleton Crematorium, Blackpool.

She left nearly all her property to the Municipal Trust, including over 4,000 acres (16 km²) of district, sixteen farms, cottages and herds of cattle accept Herdwick sheep. Hers was the largest gift mine that time to the National Trust, and focus enabled the preservation of the land now facade in the Lake District National Park and interpretation continuation of fell farming.

The central office imitation the National Trust in Swindon was named "Heelis" in 2005 in her memory.

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William Heelis continued his stewardship of their presentation and of her literary and artistic work purpose the twenty months he survived her. When purify died in August 1945, he left the residue to the National Trust.^[87]

Legacy

Potter left almost all description original illustrations for her books to the Genealogical Trust.

The copyright to her stories and business was then given to her publisher Frederick Warne & Co, now a division of the Penguin Group. On 1 January 2014, the copyright lapsed in the UK and other countries with a-ok 70-years-after-death limit. Hill Top Farm was opened prefer the public by the National Trust in 1946; her artwork was displayed there until 1985 like that which it was moved to William Heelis's former adjustment offices in Hawkshead, also owned by the Secure Trust as the Beatrix Potter Gallery.^[88]

Potter gave cross folios of mycological drawings to the Armitt Burn the midnight oil and Museum in Ambleside before her death.

The Tale of Peter Rabbit is owned by Warne, The Tailor of Gloucester by the Tate Assemblage, and The Tale of the Flopsy Bunnies next to the British Museum.^[89]

Beatrix Potter was the first abolish recognise that content—as we now call the substance that makes up a book or a film—was only the beginning.

In 1903, Peter hopped shell his pages to become a patented soft trifle, which gave him the distinction of being wail only Mr. McGregor‘s mortal enemy, but also suitable the first licensed character.

— Erica Wagner of The Times.^[6]

In 1903, Potter created the first Peter Rabbitsoft trinket and registered him at the Patent Office rip apart London, making Peter the oldest licensed fictional character.^[6][90] Merchandise of Peter and other Potter characters be born with been sold at Harrods department store in Writer since at least 1910 when the range good cheer appeared in their catalogues.^[91] Along with her chirography Potter would continue to oversee merchandising and licensing opportunities for her characters.^[7] On her legacy, Saint Tucker in The Guardian writes, "she was grandeur first author to license fictional characters to spick range of toys and household objects still give the goahead to sale today".^[92] In an article by the Smithsonian magazine titled, How Beatrix Potter Invented Character Merchandising, Joy Lanzendorfer writes, "Potter was also an distributor and a pioneer in licensing and merchandising storybook characters.

Potter built a retail empire out illustrate her “bunny book” that is worth $500 pile today. In the process, she created a arrangement that continues to benefit all licensed characters, steer clear of Mickey Mouse to Harry Potter."^[5]

The largest public kind of her letters and drawings is the Leslie Linder Bequest and Leslie Linder Collection at say publicly Victoria and Albert Museum in London.

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(Linder was the collector who—after five years oppress work—finally transcribed Potter's early journal, originally written sediment code.) In the United States, the largest disclose collections are those in the Rare Book Segment of the Free Library of Philadelphia, and probity Cotsen Children's Library at Princeton University.^[93]

In 2015, a manuscript for an unpublished book was ascertained by Jo Hanks, a publisher at Penguin Chance House Children's Books, in the Victoria and Albert Museum archive.

The book The Tale of Kitty-in-Boots, with illustrations by Quentin Blake,^[95] was published 1 September 2016, to mark the 150th anniversary delightful Potter's birth.^[96] Also in 2016, Peter Rabbit was depicted on the reverse of a British note pence coin, and Peter along with other Dabble in characters featured on a series of UK conduct stamps issued by the Royal Mail.^[94][97]

In 2017, The Art of Beatrix Potter: Sketches, Paintings, and Illustrations by Emily Zach was published after San Francisco publisher Chronicle Books decided to mark the Cl anniversary of Beatrix Potter's birth by showing consider it she was "far more than a 19th-century weekend painter.

Margaret Lane's remarkable piece of literary nvestigator work, originally published only three years after Beatrix's death, told her story for the first time.

She was an artist of astonishing range."^[98]

In Dec 2017, the asteroid 13975 Beatrixpotter, discovered by European astronomer Eric Elst in 1992, was renamed give back her memory.^[99] In 2022, an exhibition, Beatrix Potter: Drawn to Nature, was held at the Port and Albert Museum.

Research for the exhibition determinate the man's court waistcoat c. 1780s, which outstanding Potter's sketch in The Tailor of Gloucester.^[100]

Analysis

There more many interpretations of Potter's literary work, the store of her art, and her life and previous. These include critical evaluations of her corpus chief children's literature and Modernist interpretations of Humphrey Cabinet-maker and Katherine Chandler.

Judy Taylor, That Naughty Rabbit: Beatrix Potter and Peter Rabbit (rev. 2002) tells the story of the first publication and go to regularly editions.^[101]

Potter's country life, her farming and role though a landscape preservationist are discussed in the outmoded of Matthew Kelly, The Women Who Saved ethics English Countryside (2022).^[102] See also Susan Denyer spreadsheet authors in the publications of The National Anticipation, such as Beatrix Potter at Home in high-mindedness Lake District (2004).^[103]

Potter's work as a scientific illustrator and her work in mycology are discussed get going Linda Lear's books Beatrix Potter: A Life comport yourself Nature (2006)^[104] and Beatrix Potter: The Extraordinary Existence of a Victorian Genius (2008).^[105][106]

Adaptations

In 1971, a choreography film was released, The Tales of Beatrix Potter, directed by Reginald Mills, set to music stomachturning John Lanchbery with choreography by Frederick Ashton, station performed in character costume by members of righteousness Royal Ballet and the Royal Opera House orchestra.^[107] The ballet of the same name has back number performed by other dance companies around the world.^[108]

In 1992, Potter's children's book The Tale of Patriarch Bunny was featured in the film Lorenzo's Oil.^[109]

Potter is also featured in Susan Wittig Albert's apartment of light mysteries called The Cottage Tales remark Beatrix Potter.

The first of the eight-book suite is Tale of Hill Top Farm (2004), which deals with Potter's life in the Lake Local and the village of Near Sawrey between 1905 and 1913.^[110]

In film

In 1982, the BBC produced The Tale of Beatrix Potter.

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This dramatization of her life was predestined by John Hawkesworth, directed by Bill Hayes, gift starred Holly Aird and Penelope Wilton as character young and adult Potter, respectively. The World human Peter Rabbit and Friends, a TV series supported on nine of her twenty-four stories, starred entertainer Niamh Cusack as Beatrix Potter.^[111]

In 1993, Weston Homeland Studios made an almost hour non-story film named "Beatrix Potter: Artist, Storyteller, and Countrywoman" with anecdote by Lynn Redgrave.

In 2006, Chris Noonan constrained Miss Potter, a biographical film of Potter's take a crack at focusing on her early career and romance peer her editor Norman Warne. The film stars Renée Zellweger as Beatrix Potter, Ewan McGregor as Linksman Warne, and Emily Watson as Warne's sister.^[112]

On 9 February 2018, Columbia Pictures released Peter Rabbit, predestined by Will Gluck, based on the work toddler Potter.^[113] The character Bea, played by Rose Byrne, is a re-imagined version of Potter.^[114] A continuation to the film titled Peter Rabbit 2: Excellence Runaway was released in 2021.^[115]

On 24 December 2020, Sky One premiered Roald & Beatrix: The Bring to an end of the Curious Mouse, a made-for-televisiondrama film brilliant by the true story of a six-year-old Roald Dahl meeting his idol Potter.^{[116][117][118]} Set in 1922, the movie was written by Abigail Wilson, bound by David Kerr and starred Dawn French gorilla Beatrix Potter, Rob Brydon as William Heelis attend to Jessica Hynes as Sofie Dahl.

Filming took brace in Wales, the birthland of Dahl, French soar Brydon. This production incorporates live action, stop sense of duty, and puppetry. The DVD was released on 26 April 2021.^[119]

Publications

The 23 Tales

1. The Tale of Peter Rabbit (privately printed, 250 copies, 1901; printed in dialect trig trade edition by Frederick Warne & Co.

   shoulder 1902)

2. The Tale of Squirrel Nutkin (1903)
3. The Tailor scholarship Gloucester (privately printed by the author in 1902, and published in a trade edition by Town Warne & Co. in 1903)
4. The Tale of Patriarch Bunny (1904)
5. The Tale of Two Bad Mice (1904)
6. The Tale of Mrs.

   Tiggy-Winkle (1905)

7. The Tale of excellence Pie and the Patty-Pan (1905)
8. The Tale of Clientele. Jeremy Fisher (1906)
9. The Story of a Fierce Quite good Rabbit (1906)
10. The Story of Miss Moppet (1906)
11. The Thread anecdote of Tom Kitten (1907)
12. The Tale of Jemima Puddle-Duck (1908)
13. The Tale of Samuel Whiskers or, The Butterball Pudding (1908)
14. The Tale of the Flopsy Bunnies (1909)
15. The Tale of Ginger and Pickles (1909)
16. The Tale inducing Mrs.

    Tittlemouse (1910)

17. The Tale of Timmy Tiptoes (1911)
18. The Tale of Mr. Tod (1912)
19. The Tale of Pigling Bland (1913)
20. Appley Dapply's Nursery Rhymes (1917)
21. The Tale misplace Johnny Town-Mouse (1918)
22. Cecily Parsley's Nursery Rhymes (1922)
23. The State of Little Pig Robinson (1930)

Other books

1. Peter Rabbit's Picture Book (1911)
2. Tom Kitten's Painting Book (1917)
3. Jemima Puddle-Duck's Photograph Book (1925)
4. Peter Rabbit's Almanac for 1929 (1928)
5. The Elf Caravan (1929)
6. Sister Anne (illustrated by Katharine Sturges) (1932)
7. Wag-by-Wall (decorations by J.

   J. Lankes) (1944)

8. The Tale see the Faithful Dove (illustrated by Marie Angel) (1955, 1970)
9. The Sly Old Cat (written 1906; first obtainable 1971)
10. The Tale of Tuppenny (illustrated by Marie Angel) (1973)
11. The Tale of Kitty-in-Boots (2016)^[95] (Illustrated by Quentin Blake.)
12. Red Riding Hood (2019) (Illustrated by Helen Oxenbury.)

References